Here is another video by Karl Tayor where he explain about shooting People Portraits in Natural Light.
There are great tips in this video but I liked this one : "Its a complete Myth that Sun should be kept behind the Photographer so that Subject/Model is well Lit" : If you have the same myth in mind, watch out the video and you will be amazed by final results by Karl...
In this video, he is going to shoot a Model during Sunset behind her.
Karl has given 5 Tips about Natural Light Portraiture:
1. Communication with Model : Its always a good idea to regularly communicate with the Model to make her/him comfortable with overall setup of Photo-Shoot. This is very important for good finals...
2. Choice of Lens : Karl is using 85mm Lens on Full Frame Camera and describes this in detail... So watch the video below...
3. Choice of Aperture : Large Aperture is good for People Portraits. Karl is using 1.2 Lens but recommends Aperture between 1.8 to 2.8.
4. Lighting : First he started with the Photography Myth mentioned above and placed his Model in front of Sunset. Karl want to shoot into the SUN.This will give a nice backlit onto the Hair. Because light will be very less on face, Fill in light with standard silver reflector will help in this case, but need to make sure that its not too harsh...
5. Environment...Location, soft background with shalow Depth of Field...
Watch out the video to know more from Karl about Natural Light Portraiture...
Showing posts with label Outdoor Photography. Show all posts
Showing posts with label Outdoor Photography. Show all posts
Sunday, May 16, 2010
Saturday, May 30, 2009
Tips for Getting Backgrounds Right
1. Check your Background Before Hitting the Shutter Release
Ok - this strategy isn’t rocket science, in fact you’d think it almost goes without saying - but unfortunately it doesn’t and many of the mistakes that I see in photographs could have been avoided simply by checking the background before taking the shot and taking some sort of evasive action.
Always scan the background of your shots before taking a shot. Look for colors that don’t fit with the rest of the image, bright patches that might distract the eye, lines that clash, people that don’t belong etc.
2. Move Your Subject
This is once again a fairly simple technique but is probably the first thing you should consider. Quite often asking a portrait subject to take a step to the left or right will fix things either by putting the distraction behind them or by putting it out of frame.
3. Change your Shooting Angle
If you have distracting elements in the background of a shot but can’t move your subject another strategy is to move yourself and shoot from a new angle. This might mean rotating around your subject but could also include getting down low to make the sky the background or even getting up high and shooting down onto your subject to make the background the ground.
4. Using Aperture to Blur Backgrounds
One of the most useful things to learn as a way to combat distractions in backgrounds (and foregrounds) is to use the power of your lens to throw the background out of focus using depth of field. What you’re trying to achieve with this technique is a nice blurred background where you can’t really make out what’s going on there.
The easiest way to do this is to use a wide aperture (the smaller the number the wider the aperture). The wider your aperture the more blurry your background should become.
The quickest way to see the impact of this strategy is to switch your camera into aperture priority mode and to take a number of shots at different apertures. Start with an aperture of f/20 and work your way down - one stop at a time. Once you get down to under f/4 you’ll start seeing the background in your shots getting blurrier and blurrier.
5. Using Focal Length to Blur Backgrounds
Another way to help get your backgrounds nice and blurry is to use a lens with a long focal length. Longer tele-photo do help a little to get narrower depth of field (although the amount is less than many think). In actual fact the impact is smaller than it seems and the main reason for the change is that with a longer focal length the subject actually takes up more space in the frame. Lots of arguements have been had over whether focal length impacts this - you can read more about it here and there - I’ll leave it to the experts to discuss the finer points but will say that using longer focal lengths does seem to have some impact and is worth experimenting with.
6. Place Subjects In front of Open Spaces
Placing your subject a long way in front of other objects will also help to make those objects more blurry. For example if you have the choice between shooting your subject standing right in front of a brick wall or standing in front of an open field - the open field shot will have a much more blurred background simply because the brick wall is just centimeters from your subject and inside the focal range whereas an open field stretches off into the distance where everything will be out of focus.
7. Fill your frame with your subject
One of the most effective ways of removing distractions from backgrounds is to remove the background altogether by totally filling the frame with your subject. Get up close and/or use your zoom lens to tightly frame the shot and you’ll not only remove distractions but could end up with a high impact shot as well.
8. Make your Own Background
Sometimes there just isn’t any suitable background and so you might want to consider making your own. This could range from buying a purpose built studio background or simply buying some cloth to do the job for you.
The other thing to keep in mind is that in many instances you can move things around in the background of your shots (especially if you’re shooting indoors).
9. Post Processing
I’m no expert in using photo editing software but there are numerous ways of editing a shot after you’ve taken it to get rid of distracting elements. These can include blurring techniques, actual removing of elements and replacing them and techniques such as selective coloring (ie making your subject stand out by making your background black and white (or at least sucking some of the color out of it).
Ok - this strategy isn’t rocket science, in fact you’d think it almost goes without saying - but unfortunately it doesn’t and many of the mistakes that I see in photographs could have been avoided simply by checking the background before taking the shot and taking some sort of evasive action.
Always scan the background of your shots before taking a shot. Look for colors that don’t fit with the rest of the image, bright patches that might distract the eye, lines that clash, people that don’t belong etc.
2. Move Your Subject
This is once again a fairly simple technique but is probably the first thing you should consider. Quite often asking a portrait subject to take a step to the left or right will fix things either by putting the distraction behind them or by putting it out of frame.
3. Change your Shooting Angle
If you have distracting elements in the background of a shot but can’t move your subject another strategy is to move yourself and shoot from a new angle. This might mean rotating around your subject but could also include getting down low to make the sky the background or even getting up high and shooting down onto your subject to make the background the ground.
4. Using Aperture to Blur Backgrounds
One of the most useful things to learn as a way to combat distractions in backgrounds (and foregrounds) is to use the power of your lens to throw the background out of focus using depth of field. What you’re trying to achieve with this technique is a nice blurred background where you can’t really make out what’s going on there.
The easiest way to do this is to use a wide aperture (the smaller the number the wider the aperture). The wider your aperture the more blurry your background should become.
The quickest way to see the impact of this strategy is to switch your camera into aperture priority mode and to take a number of shots at different apertures. Start with an aperture of f/20 and work your way down - one stop at a time. Once you get down to under f/4 you’ll start seeing the background in your shots getting blurrier and blurrier.
5. Using Focal Length to Blur Backgrounds
Another way to help get your backgrounds nice and blurry is to use a lens with a long focal length. Longer tele-photo do help a little to get narrower depth of field (although the amount is less than many think). In actual fact the impact is smaller than it seems and the main reason for the change is that with a longer focal length the subject actually takes up more space in the frame. Lots of arguements have been had over whether focal length impacts this - you can read more about it here and there - I’ll leave it to the experts to discuss the finer points but will say that using longer focal lengths does seem to have some impact and is worth experimenting with.
6. Place Subjects In front of Open Spaces
Placing your subject a long way in front of other objects will also help to make those objects more blurry. For example if you have the choice between shooting your subject standing right in front of a brick wall or standing in front of an open field - the open field shot will have a much more blurred background simply because the brick wall is just centimeters from your subject and inside the focal range whereas an open field stretches off into the distance where everything will be out of focus.
7. Fill your frame with your subject
One of the most effective ways of removing distractions from backgrounds is to remove the background altogether by totally filling the frame with your subject. Get up close and/or use your zoom lens to tightly frame the shot and you’ll not only remove distractions but could end up with a high impact shot as well.
8. Make your Own Background
Sometimes there just isn’t any suitable background and so you might want to consider making your own. This could range from buying a purpose built studio background or simply buying some cloth to do the job for you.
The other thing to keep in mind is that in many instances you can move things around in the background of your shots (especially if you’re shooting indoors).
9. Post Processing
I’m no expert in using photo editing software but there are numerous ways of editing a shot after you’ve taken it to get rid of distracting elements. These can include blurring techniques, actual removing of elements and replacing them and techniques such as selective coloring (ie making your subject stand out by making your background black and white (or at least sucking some of the color out of it).
Friday, April 24, 2009
Going out for Photo-Shoots help a lot
My new learning to improve as a photographer would be to go out and shoot in different situations.
For the earlier part of my venture into the photography hobby, I spent most of my time developing myself indoors. Reading articles, magazines, forums, a basic photography training and blogs. That’s not BAD and I strongly suggest continuing to read and grow in your knowledge of photographic techniques, but the only true way to improve is to put everything we learn and read into PRACTICE. Go out and shoot!
Disregard all fear of what people will think of you as you snap away on the street or at your favorite venue or park. “Oh what a mad guy”, “That camera is not even that great”, “That looks like a cheap lens”, etc. Don’t let others or the price/quality of your equipments set limitations on you! We all have to start somewhere.
I have read it numerous times on the forums and elsewhere. It’s not the quality or price of the camera, but the photographer behind the camera that makes or breaks an image. The only way we can improve our photography is to practice and shoot a lot.
I am an introvert by nature, so going out and shooting random people, street life, and the like is not my strength. I get pretty intimidated when people start staring at me while I take pictures, and self-conscious. On a recent drive, I decided that I need to just break out of my comfort zone. I need to go out and shoot. For last few weeks I have been going out with some of my photographer for shoot in delhi and I feel its helping me in improving my mindset about urban & street Photography.
For the earlier part of my venture into the photography hobby, I spent most of my time developing myself indoors. Reading articles, magazines, forums, a basic photography training and blogs. That’s not BAD and I strongly suggest continuing to read and grow in your knowledge of photographic techniques, but the only true way to improve is to put everything we learn and read into PRACTICE. Go out and shoot!
Disregard all fear of what people will think of you as you snap away on the street or at your favorite venue or park. “Oh what a mad guy”, “That camera is not even that great”, “That looks like a cheap lens”, etc. Don’t let others or the price/quality of your equipments set limitations on you! We all have to start somewhere.
I have read it numerous times on the forums and elsewhere. It’s not the quality or price of the camera, but the photographer behind the camera that makes or breaks an image. The only way we can improve our photography is to practice and shoot a lot.
I am an introvert by nature, so going out and shooting random people, street life, and the like is not my strength. I get pretty intimidated when people start staring at me while I take pictures, and self-conscious. On a recent drive, I decided that I need to just break out of my comfort zone. I need to go out and shoot. For last few weeks I have been going out with some of my photographer for shoot in delhi and I feel its helping me in improving my mindset about urban & street Photography.
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